Twenty-fifth edition of the Goya Awards. Since I have not seen any of the four nominated films mostly, I will dedicate myself to the gala. A gala was dark, so to speak softer.
was decided to relocate the event to make it more relevant and the entry of the guests constantly reminded me the scene of the murder of Batman's parents outside the theater. Too dark, internet pissed off with his haunting V for Vendetta masks, heavy rain and much contrapicado plane. Something that would give us a clue of what later would see the Teatro Real.
The invitation styles (which are the looks that matter) helped to increase that feeling. Little can be said of a film awards ceremony when one of the cutest is a minister, and to make matters worse economy. Gonzalez Sinde
must have thought I had enough already of the Act to gamble again with Modestin Lomba and opted for Amaya Arzuaga. Leire Pajin remains committed to leaving home and remains committed to Hannibal Laguna. Two big mistakes.
Elena Salgado left open-mouthed photocall medium and the audience. Even my beloved
Maribel Verdú was your night in terms of stylistic issues are concerned. Emma Suárez faced newly erected. Aitana Sanchez Gijon with a dress in all respects incomprehensible. Bardem Grandma dressed as daily (Patricia) and Carolina dressed to collect Bang Goya. Too bad it ended up not give. Must learn from others nominated as a good performance when you have a close in size plasma Bernabeu. That face of " pormiasesinabaaesaniñatacatalana " bill will pass half zappings DTT.
It was not all bad. Elena Anaya was beaming with Elie Saab, Silvia Abascal Caprile dressed like a golden Hollywood actress Natasha Yarovenko was spectacular and Icíar Bollaín Cavalli showed that when the roll stops Lavapies Perroflauta earn much. Little more. Belén Rueda, correct and Lidia Bosch (in his first post-divorce trauma with good economic performance) was super cuquina, as usual. She is an icon of cunningly stale. Nimri Nawja donned a Dolce & Gabbana lace transparent regardless of the back of his body and Veronica Forqué (also Caprile) continues its ongoing face smoking.
Ana Garrido, the main character revelation series Angel or Demon , got an Oscar de la Renta or what is the same, a life insurance policy for the red carpet. Lola Dueñas proved my theory that you can only carry a Miguel Palacio gracefully if you Laura Ponte, Ana Belén that time does not pass through it. Literal. There were the images dancing with a man who should be the grandfather of the current at a gala Miguel Bosé nineties. Really big.
Men: The most notable was that wine Ja (Leo's father), who dedicated the award to his wife and son and is still smiling. I thought this only happened in USA, like a rash that is automatically passed across the pond, but no. Oscar effect things should be. Luis Tosar
sexy Galician continues to waste wherever he goes. The same is giving life to a ruthless murderer that mark a musical number began as embarrassing to end up being the funniest moments. And it's not all on the thing went. It seems that last year's show was a mirage. 25 anniversary ceremony deserved more than Corbacho Carmen Machi and business as usual. There
guest appearance (although unexpected, I hope) of Jimmy Jump. My question is, how a place could be accessed by invitation (as the Teatro Real has less capacity to Ifema many academics were left out) four (repeat: four) ministers present and a whole cohort security officer could sneak this guy?. And how it got to the stage?. In the Oscar he had been sacked on the first step. Here's a little more and get into the kitchen. Priceless scare face as she said to Lola Dueñas security "please, no violence." Anyway. Cibeles attentive to me that this will continue to make mischief.
Honours: they swept a film about the war. Curiously, in the first edition of Goya two films tied for awards (5): The Journey to Nowhere and Dragon Rapide. It's funny how little things change. The two children were taken from the movie category awards. I'm not sure if I like or not to give children greater rewards. The emotional impact is undeniable but beyond there just not be clear.
this in mind, last night (gala seen that supremely bored me) I took it shoehorned Santiago Segura (I must be the only person in the world that does not make no damn such grace) to make a mental list of my favorite movies with children. These are:
ET
The Goonies The Exorcist The Shining
Pan's Labyrinth The Other
And another thought to finish. Do they have to spend up to prize fruit on the corner?. Do not have given you for work you?. Imagine someone dedicating the Nobel Vargas Llosa to tata?.
short: gala dark even though it is replete Buenafuente. With a script not nearly as good as last year. It appears that the crisis Sinde-Internet-twitter of the Church took its toll. At times boring. At times embarrassing. With brilliant moments (Resines in God's role parodying Clooney Malkovich) in a film about the civil war took all the prizes. As if no time had passed.
